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Natasha has a first class degree in printmaking from Manchester. She studied printmaking and anatomy in the Venice Accademia and completed her MA in printmaking in Camberwell in London in 2000, winning the London Printmaking Prize the same year.

Art and India are in Natasha's genes. On her mother’s English side she comes from a line of established artists: her father’s Indian heritage she traces back to Kashmir and Afghanistan via stories of partition and lost family gold.

She has made her own name as an artist from the age of 17, when, earning a place by right in the Royal Academy Summer Exhibition she found her etchings hanging on the same wall as paintings by her grandfather and uncle.

More recently she has had a 5 month solo show in Southbank, annual exhibitions at the Royal Geographical Society, and in 2015 gave a talk about her work; Rasa: Essence of India – in the famous Ondaatje Theatre.

She pops up in less traditional art venues such as the Heathrow VIP Lounge, Science Museum and the Institute of Neurology as well as at specific Indian events in The Taj Hotel, Asia House, Alchemy (Southbank) and at Saatchi.

The Indian street art collection was installed in Vivek Singh’s Cinnamon Soho for six months and her architectural series incorporated into wall design in Kricket, Soho.

In 2018 Soho House purchased a number of pieces for their latest venture, Juhu Beach, Mumbai and Harland Miller personally selected her work from an international range of artists for the Rise Printmaking Prize.

Kumar divides her time between thinking space a rural farmhouse with dedicated painting and printmaking studios, intense studio practice in London and increasingly longer regular working trips to India to gather images and ideas. A passion and practice firmly established as the words ‘a trip of a lifetime’ was the overwhelming response from the clients she took to her favourite and most inspirational places in India.

Natasha has a dedicated and growing following of collectors worldwide.

Artwork by Natasha Kumar View All